The National Gallery in London recently wrapped up its highly anticipated exhibition featuring the last painting by the renowned artist Michelangelo Merisi da Caravaggio. The painting, titled “The Martyrdom of Saint Ursula” (1610), had not been seen in the UK for nearly two decades and was generously loaned by the Intesa Sanpaolo Collection. Alongside this masterpiece, visitors also had the opportunity to view another late work by Caravaggio from the Galleria Nazionale collection, “Salome Receiving the Head of John the Baptist” (c. 1609–10).
Record Visitors at the Exhibition
The exhibition, which ran from 18 April to 21 July 2024, attracted a staggering 286,298 visitors over the course of 95 days. This remarkable turnout made it the tenth most visited exhibition in the history of the National Gallery, both in terms of total attendance and average daily attendance. With an average of 3,014 visits per day, it was undoubtedly one of the most popular events of the Gallery’s bicentenary year, known as NG200.
Engagement on Social Media
In addition to the impressive number of in-person visitors, the exhibition also garnered significant attention online. The total reach of the exhibition content on social media platforms reached 1.8 million, indicating a strong interest in Caravaggio’s late paintings and his depiction of violence. The Artists on Artists film associated with the exhibition was viewed a total of 746,000 times, further highlighting the widespread appeal of Caravaggio’s work in the digital sphere.
Social Media Comments
The exhibition received an outpouring of positive feedback from visitors and art enthusiasts on social media platforms. Comments praising the artwork’s complexity and impact were prevalent, with many expressing gratitude for the opportunity to view such a significant piece free of charge. One user remarked on the subtle yet profound themes explored in the exhibition, while another highlighted the dramatic presentation of “The Last Caravaggio” alongside its historical context. Critics also lauded the exhibition, with “The Guardian” art critic Jonathan Jones suggesting that Caravaggio’s final work was so compelling that it could inspire a successful film adaptation.
Upcoming Bicentennial Exhibitions
As the National Gallery continues to celebrate its bicentenary year, several upcoming exhibitions are set to captivate art enthusiasts. From the works of Hockney and Piero to the timeless beauty of Van Gogh, there is a diverse range of artistic offerings to look forward to in the coming months. Whether you are a fan of traditional paintings or contemporary masterpieces, the National Gallery’s lineup promises something for everyone.
Hockney and Piero: A Longer Look
Dates: August 8 – October 27, 2024
Location: Room 46
Admission: Free
Constable and The Hay Wain
Dates: October 17, 2024 – February 2, 2025
Location: Sunley Room
Admission: Free
Van Gogh: Poets and Lovers
Dates: September 14, 2024 – January 19, 2025
Location: Halls 1 – 8
Admission: Paid
Parmigianino: The Vision of Saint Jerome
Dates: December 5, 2024 – March 9, 2025
Location: Room 46
Admission: Free
Siena: The Rise of Painting 1300 – 1350
Dates: March 8 – June 22, 2025
Location: Ground Floor Galleries
Admission: Paid
In conclusion, the National Gallery’s recent exhibition featuring “The Last Caravaggio” was a resounding success, drawing record numbers of visitors and sparking engaging conversations on social media. As the Gallery continues to showcase a diverse range of artistic treasures throughout its bicentenary year, art enthusiasts can look forward to a wealth of inspiring exhibitions that celebrate the rich history and beauty of the art world.
